That’s right, I won a free game in a twitter raffle! The game in question being Mira’s Brush by Angel Star Studios, which you can buy from Steam! The game’s actually very fun with a creative story and a Super Mario Bros. feel. Though it can be very difficult trying to find every secret in the game. Hopefully, a walkthrough will be out soon.
Wilma’s a promising young musician in early 1900s Austria who’s having trouble coming up with a new composition. Her professor offers to let her stay in his cabin for the week, hoping Wilma can find inspiration. Will she be able to write her next piece in time for the weekend concert?
As you can see, this game is historical fiction and it has a retro design to drive that point home. This chapter is about Wilma and her struggles with her own insecurities. This shows itself in symbolic dreams, her crush on her professor and her conversations with Leos over the telephone. I’ll admit that Arthur is a bit of a selfish jerk, trying to force Wilma to come up with a composition so he doesn’t lose face. However, Wilma’s crush on him is realistic as he is an accomplished professor. Leos is a man who calls a random number to test out his new telephone and ends up talking to Wilma about his problems while helping her in return.
The dreams are also very symbolic of the pressure Arthur put Wilma under and her very own insecurities. Wilma even finds herself weird for caring more about her musical career than she does about starting a family, something she briefly talks about with Leos. In other stories, I’d consider this sexist but, in this game, I actually thought it was a clever nod to the role of women in that time. Another aspect of the time is how remarkable Leos thinks the telephone and its ability to communicate with people from different parts of the world are. People of our time have the same reaction when we try out virtual reality for the first time at Best Buy.
The game play is simple point and click with you also picking Wilma’s dialogue options.
You choose what Wilma will say to people and you click various objects to help her find inspiration. Many players might find this confusing, but keep in mind that Wilma is a musician. She can hear music from the drops of the rain to the swinging of the lantern. Wilma also gets ideas from reading books and letters that help her decide how to write her composition. Not only is it your job to click on the various items. You also have to find them in the right order. Whether the audience thinks Wilma’s song is a masterpiece or run of the mill classical depends on you.
This game is insightful and intriguing. I give it 8 out of 10, a compelling psychological study on how musicians create.
After Max discovers her rewind powers, she finds herself in more trouble than she bargained for. Not only does Max not know what her limits are, but she finds herself caught between Chloe and Kate. To make things worse, the school’s psychopath, Nathan, is out to get Max and even her rewind power might not save her.
Spoiler alert, which I try to avoid, but it’s difficult not to talk about some video games without mentioning them. First, I’m going to talk about Kate, the religious friend of Max’s who found herself on a viral video. I’m going to tell you what I’m sure you’ve already figured out if you played the game. Kate when to a party and Nathan drugged her. As a result, she unintentionally starred in a sex video and has no memory of what happened. People hassle Kate for it with Victoria in the lead and her mother and aunt disowned her.
According to them, Kate’s disgraced the name of God by starring in that video and, either they don’t believe that Nathan drugged her, or they feel that it’s her fault. First off, I would think that people that raised Kate would know that she would not do something like this voluntarily. Another thing is that, as tragic as the situation is, I’m glad that they chose Kate to give it to rather than Victoria. I’ve seen rape used too poorly in many fictional franchises where the victim is usually a provocatively dressed party girl. What many people fail to get is that rape is about power and ugly people can fall victim to it. By having this happen to Kate, who preaches about abstinence and wears conservative clothes, you demonstrate that this can happen to anyone. Doesn’t matter how pretty you are, how modestly you dress and how much you preach about God. Anyone can be a victim and it is not your fault. Kate’s storyline also shows how evil Victoria is and yet the game shows hints that she’s not pure evil. Yes, she does spread Kate’s viral video around, bullies Max and even films something at the end that I won’t give away because I have to keep some mystery. However, Victoria is there for her friend, Taylor, in her time of need and, at the end, even feels remorse over her actions. Don’t get me wrong, this doesn’t redeem Victoria but it makes her a more complex character. Nathan, on the other hand, seems closer to pure evil but the game hints at a troubled family background in the first episode. I applaud that they’re not using this to excuse him and it doesn’t look like he’s getting a love redeems plot. That’s something that happens quite often in these types of stories.
Now, I’m going to talk about Chloe. Right now, I don’t know what to feel about her. I do like that she’s not pure evil as society would portray most female characters like her. Chloe can also be rather tough and I can sympathize with her situation. In the last episode, we learn that Chloe has an abusive step-father her mother married after her real father died. This episode does give the step-father depth but it doesn’t excuse him beating up Chloe and harassing Kate. Chloe dreams of leaving Arcadia Bay and making it out on her own in the big city. However, some of her actions are very questionable, such as attempting to exploit two insane people who could kill her if she so much as makes the wrong move. One of them, Nathan, actually did in the first episode. Chloe also encourages Max to use her powers as much as possible, which causes Max’s nose to bleed and for her to pass out. If that’s not enough, Chloe plays with guns and lays on train tracks, the latter nearly getting her killed.
When you save her in a destructive way, Chloe does thank you but asked if you could’ve found a less destructive way to do it. I don’t know if this is a Final Destination Paradox, meaning that Chloe’s fate is to die, or if she’s just too dumb to live.
The game play is similar to TellTale with no QuickTime events. You pick dialogue but you don’t have to pick it right away. You explore different areas, talk to people, examine various items and take pictures. If you discover certain information about people, you can rewind time and use it to get closer to them. You can also rewind time if you don’t like the choices you made. Sometimes, the game play is rather frustrating on the PC if you can’t line the camera right. Other times, the mouse refuses to cooperate with you. You have no idea how many times I had to rewind time until I could get my mouse to cooperate.
As you play, Max will automatically fill her diary with character profiles and her version of what happened in the story. You will also receive text messages from various characters that Max will automatically answer if you press the right button. There will be a point where you get a text message from Chloe during Jefferson’s class and, if you try to look at it, he’ll scold you. I mentioned a scene that’s very tragic. However, you can prevent that tragedy if you say the right things. You won’t be able to rewind time in that scene, so be very careful. It’s frustrating but, I have to admit, I’m glad that they’re giving Max limits with her powers. It makes her more human.
This game is tragic and yet addictive. I give it 9 out of 10, it gave me a bit of an emotional reaction but not strong enough to get the full ten.
Bigby’s finally solved the murder of Faith and Lilly. Now he only has to bring the Crooked Man to justice.
The last episode ended on a cliffhanger with Bigby meeting the Crooked Man. T
hose of you still interested in finding Faith and Lilly’s killer might be disappointed in the resolution. Thankfully, the game is more about the huge conspiracy in Fabletown than it is about that. Which, if you ask me, is a little more interesting. As for who the killer is, it’s the one the fans most suspect.
Be warned, I have a few more spoilers to discuss. One is about the social commentary on prostitutes at the end. For starters, I should tell you that the one who killed those girls and the one who put their heads on Bigby’s porch are not the same person. The latter is Nerissa, The Little Mermaid, and this is where the social commentary enters. She talks about how the world considers prostitutes like her to be disposable. If one of them dies, people won’t bat an eye. It’s something Nerissa refuses to let happen to her friends, so she stuck their heads in front of Sheriff Bigby’s office to get his attention. This is something that separates Wolf Among Us from other video games. Don’t get me wrong, prostitutes are quite common in adult video games but this is the first time I’ve seen a prostitute treated as a person and not window dressing. Let me explain that, more often than not, prostitutes are what the main character pays for on the side being little more than sexual fantasies. In this game, the prostitutes may be victims but one manages to take an active role. In the second episode, it’s Nerissa who leads Bigby to Crane by insisting he pretends to be a regular customer. In this episode, if you bring the Crooked Man to trial, Nerissa will speak against him by pretending to be a witness.
Truth be told, she wasn’t actually there but she didn’t expect the Crooked Man to remember her and she was right. I’ll admit, Nerissa does dress a bit revealing when on the job and it is partly fanservice. However, remember her profession. When she’s finally free, Nerissa dresses casually.
Personally, I don’t think putting a woman character in revealing attire is sexist. It can be, if done poorly but, if you analyze each of your characters and you feel at least one of them would dress like that, you can pull it off.
The game play is typical of TellTale games. You pick Bigby’s dialogue options, you have to make important choices and you have to press the right button for Quicktime events. In this game, you get to fight Bloody Mary and it is awesome!
Yes, the original Bloody Mary from the urban legend. She can walk through mirrors, make copies of herself and is a real match for Bigby, in his original wolf form. That’s right, Bigby completely wolfed out! You even get to see Bloody Mary in her original unglamoured form and it is terrifying! This is a woman who kills the children playing Bloody Mary in front of a bathroom mirror for kicks. Even the Magic Mirror is afraid of her, I am serious.
As for the Crooked Man, you can either bring him to face judgment or kill him.
Either way, it’s rather anti-climatic. For instance, everyone at the Crooked Man’s trial is against him. Tim claims that people in Fabletown rely on him, yet we see no evidence of that. Speaking of Tim, he is also absent from the Crooked Man’s trial which feels like a major cop out.
As the Crooked Man’s biggest supporter, he could have spoke on his behalf giving Bigby a true challenge rather than only convincing the people who hate him. Speaking of copping out, I discussed Snow’s reasoning to have Toad and Colin sent to the Farm, which I did not approve of. It doesn’t matter if you stick up for Colin or give Toad money, Snow still sends them there. Then again, Toad could have been lying about Snow claiming the money didn’t matter. This is a guy who complains about the cost of glamour and has a sports car parked in front of his home. He probably screwed over himself and TJ, the one I really feel sorry for, and blew the money on expensive watches.
This game is intriguing and a little disappointing. I give it 7 out of 10; good ending yet a few wasted opportunities.
This is the final chapter for the Forrester family. One of the older brothers died in a campaign to free Ironrath from the Whitehill Occupation; forcing the living brother to pick up the pieces. Gared’s found the North Grove, but he’ll have to work extra hard to gain the trust of the inhabitants. Meanwhile, Mira’s scheduled for execution in King’s Landing unless she marries an evil man.
The Ironrath plot goes one of two ways depending on which brother you killed in the last episode. As Rodrick, your goal is to negotiate with the Whitehills to prevent war and save your brother, Ryon. If Asher survives, he must take Rodrick’s place as Lord of Ironrath and convince the Whitehills that the war is not over. Since Asher survived in my play through, I’ll be reviewing that one.
First, I should tell you the terms of Ramsay Snow’s deal. In the last episode, Ramsay told you that the Boltons would stay out of the Whitehill and Forrester conflict. They will resolve this through war and the last house standing wins. Personally, I feel that Roose Bolton would side with the Forresters. No, I don’t mean that he would do so out of the goodness of his heart. Remember, the game points out that the Forresters are the better artisans and take care to chop down the trees they need. The Whitehills, on the other hand, are not only shoddy artisans, but reckless in their endeavors to harvest Ironwood. Roose Bolton may be evil, but he is also practical.
If Asher survives, Ludd Whitehill feels that his house is victorious. However, Asher refuses to bow down to the Whitehills. In this plot, you see a new side of responsibility in Asher as he tries to hold the reins after Rodrick’s death, refusing to let him die in vain. You also see a hint of a romance between Asher and Gwyn, the reason for his exile to Meereen.
Yet, despite his exile, Asher still loves his family as they do in return. Talia is someone you do not want to get on the bad side of. She may be as refined as Sansa, but she shows a spirit similar to Arya. Let me give you a little spoiler, if you choose to poison Ludd Whitehill at dinner, Talia volunteers to pour the wine. Elissa isn’t shy herself because she’ll offer to drink from the glass first to save Asher when Ludd insists Asher take the first drink. However, Gwyn’s character is still lacking in my mind. I get that she needs to side with her family but if the Forresters submitted to the Whitehills, that would just make things worse. Therefore, Asher has to fight with everything he has.
Another spoiler alert, Gared is the only character who will survive no matter what you do. This is ironic, because he’s not a true Forrester. He himself must gain the trust of the inhabitants of the North Grove. As for who they are, let’s just say that Lord Forrester had a few lapses in honor.
However, Gared does face one important decision. In the previous episodes, Cotter’s wounds are fatal. It doesn’t matter if you tended to the wound, he will still die. As Gared, you have to decide how you will end his suffering.
Mira’s plot in King’s Landing is rather strange because, to me, she always felt the least like a Forrester. I get that Mira’s in King’s Landing because Elissa signed her up to be Margeary’s handmaiden. She wanted her eldest daughter to learn to behave like a southern woman. However, she’s never truly interacted with The Forrester family. Yes, I get that would be a little difficult since she’s in a different location. Asher also had the same issue but we get to see him interact with his family and show affection for them. In the case of Mira, all we hear about how much she loves her family is through letters she gets and that her actions at King’s Landing do contribute to Ironrath in small ways. I realize that the Forresters are supposed to be like the Starks, separated through tragedy but still trying to pick up the remains. In the show, we see the Starks interact with each other before tragedy falls, giving us a sense of family and sorrow as they’re torn apart. Since the situation in the game is different, it would’ve been nice to provide some flashbacks to show happy family times, making Mira a true Forrester in my eyes. However, considering what happens to her, I guess it doesn’t matter anymore.
As I said in the first paragraph, Mira has to choose between death and an abusive marriage. Remember that Lord who helps you out in King’s Landing, Morgryn? Well, spoiler alert, he’s evil and wants control of Ironrath through Mira. Let me admit, I accidentally read a spoiler about Mira’s fate in the Game of Thrones Wiki and I knew she would live or die depending on my choice. I’ve grown rather attached to Mira so, at first, I was going to choose marriage.
Then I decided to have her die rather than marry Morgryn and have Tom, the coal boy who helped her, die in her place.
For those of you who don’t know, Telltale’s working on a second season and, considering this outcome, I don’t think we’ll be playing in King’s Landing anymore. This means that the plot will have many unanswered questions, such as why Tom wanted to help Mira in the first place. It’s what TV Tropes would call shoot the shaggy dog. Then again, considering how things usually turn out in Game of Thrones, maybe it’s not that much of a shock.
The game play is typical of TellTale with you picking various dialogue options for the characters you play.
Some choices will have a huge impact on the story and, this time, I actually mean it. During fighting scenes, you have to press the right key at the right time in order to live. At the end of the game, you can compare your choices with that of other players.
Since this is the true final episode, you can watch an epilogue of the Game of Thrones characters talking about each of the Forresters and their thoughts on them. Ramsay talks about Ethan and Rodrik, Margeary talks about Mira, Jon talks about Gared, Daenarys talks about Asher and Cersei gives her opinion of the Forresters as a whole. Let me tell you, it’s beyond awesome.
This game is depressing and yet addictive. I give it 7 out of 10, had me a bit shaken up but I didn’t like the King’s Landing story.
Things are finally ending for the Forrester family as Asher returns to Ironrath with an army. Meanwhile, Mira found the Whitehill’s contact in King’s Landing and Gared gets closer and closer to finding the North Grove. Can Rodrick still manage Ironrath with all this craziness and a traitor?
I’m going to give a slight spoiler for those of you who haven’t played the game. There is a traitor among the Forresters and it all depends on who you picked to be your Sentinel in the first episode. That’s right; the guy who doesn’t get the job throws a tantrum and collaborates with the Whitehills. This just makes me believe that neither one of them can be trusted if they turn on you the minute they don’t get their way. I will give some credit to the writer’s for Talia’s character, since she shows some real moxie in this episode. She tells you about the traitor and recommends killing him. However, if you choose to have Rodrick comfort Eleana in this episode, Talia walks in on the two of you having sex. I have to say, Talia took it pretty well for a highborn girl from a medieval setting. However, she’s not quite as adept with handling Ramsay, not that I blame her. That’s right, Ramsay Snow makes his final appearance in the game and it’s definitely a memorable one. He makes his first appearance at the end of Episode 4 and stays for the beginning of Episode 5 to tell you the good news. You read that right; the terror of the north with no regard for life whatsoever is the one delivering good news. Ramsay is still as terrifying as ever to deal with, but I’m still happy to see him due to having mixed feelings about his character. I am both afraid of and attracted to Ramsay Snow.
Don’t judge me.
Asher’s plot is my favorite, partly due to Daenarys and partly because you get to fight in the pits.
Spoiler alert, Daenarys will not give you any of her Second Sons, but she will give you gold so you can hire your own sellswords. She also offers to have Malcolm work for her, claiming that an alliance with House Targaryen will be beneficial to both families. I said in an earlier review that Asher reminds me of Han Solo and it still shows. Some of the speech options show his own sense of humor and I do like Asher’s dialogue with Beshka. You can also win over the slaves in the fighting pits by either sticking to their rules or showing them a new way.
Since not much happens in Gared’s or Mira’s plots, I’ll have to combine their stories into one paragraph. Gared is still trying to find the North Grove, but he’s come across a slight detour with Cotter and his sister. I’ll admit, I did enjoy hearing Cotter’s back-story and learning that the Free Folk can be every bit as prejudice as the rest of the Game of Thrones world. As for Mira’s story, she’s lost every contact in King’s Landing and things don’t look well for her. This poor girl can’t catch a break. However, I did like her conversation with Tyrion at the end.
The game play is typical of Telltales, with you picking various dialogue options.
You also get to participate in QuickTime events, my favorite being the fighting pits, as I said earlier. As Gared, you also have the opportunity to hunt rabbits. Some choices you make have a huge influence on the story because this is the first episode where you get to decide who lives and who dies. At the end of the episode, you can compare your choices with other players.
This game is addictive and intriguing. I give it 7 out of 10, some of the storylines felt a bit weak.
Westeros falls on dark times and the Forrester family is no exception. Gryff rules Ironrath and Rodrick must fight for his right as Lord. Asher goes on a mission for Daenarys in exchange for some of her sellswords. Mira discovers that the Whitehills have a spy in Kings Landing while trying to get back in Margeary’s good graces. Gared faces execution at The Wall for murdering a fellow brother.
I’m going to talk about the story that really upset me first and that is Gared’s adventure. As I said earlier, he faces execution at The Wall. The real kicker is I went out of my way to not murder Britt and remain true to my vows. I even recited the oath aloud as I clicked on each sentence. I am not lying.
Doesn’t matter if Finn vouches for you, Frostfinger still doesn’t believe it and has you sentenced for execution. Therefore, according to The Wall, you can’t defend yourself against other people who try to kill you. Better to let them murder you or the Watch will do it themselves. When I had to pick a dialogue option for Gared about the Watch, you can bet that I had him say they betrayed him. Jon Snow gets one little scene before he leaves for Craster’s Keep.
If you tell him it’s an accident, he’ll believe you but he’s powerless to stop Frostfinger. Those of you who watch the show might see the irony in this. Those of you who haven’t might want to skip this next part to avoid spoilers. The Night’s Watch betrays Jon himself when he ascends to Lord Commander. His aim is to unite the Watch and the Free Folk against the true enemy, the White Walkers. However, many of the more old-fashioned members don’t like this new turn and trick him outside, stabbing him one by one. Mysandra resurrects Jon, but it destroys his hero worship of the Night’s Watch. If Telltale makes a second season, it would be interesting for Gared and Jon to meet and bond over their shared betrayal. Gared breaks out and continues his search for the North Grove.
In order to give a proper review, I need to discuss what happens at Ironrath. This is when Gryff’s rule becomes intolerable as he uses brute force to assure his position. It’s very similar to how a bully will use fear to rule over those weaker than them. Therefore, Gryff is little more than a thinly veiled Joffrey, which is the closest we’ll get to seeing him in the game. To ensure their position, the Whitehills demand that Eleana, betrothed to Rodrick, marry Gryff. Again, we have an obvious love triangle between a hero and a villain with Eleana having no affection for the villain whatsoever. However, I will applaud her for taking matters into her own hands. Needless to say, this gives Rodrick more allies in his fight for Ironrath. However, the trouble isn’t over when you deal with Gryff. Ludd Whitehill wants to make a deal with you and let me tell you something The Whitehills suck at making ironwood, so they have to threaten the Forresters into helping them. While Roose Bolton is an evil and ruthless man, there is no way he’d still side with the Whitehills after seeing their horrible work. The meeting at their estate does show one key difference between the Forresters and the Whitehills. Ludd Whitehill cares nothing for Gryff due to being his fourth born son. Rodrick, on the other hand, loves Ryon, despite him being fourth born, and will do anything he can to bring him back. Did I mention that, when you leave Ironrath, you have the option of leaving Talia in charge? I didn’t care for her, at first, but her biting Gryff in the third episode and openly rebelling against the Whitehills shows that there’s more to this young girl than meets the eye.
However, Talia still has a long way to go to catch up to Mira in my eyes. Margaery might fire her and she still risks her life to discover who’s working for the Whitehills in King’s Landing. Mira’s plot is about making a deal with her fellow handmaiden, Sera, and snooping around Tommen’s coronation to discover who works for the Whitehills. I love how the dialogue options can demonstrate that she’s not to be underestimated. You can also give Mira sweet dialogue options, though whether they’re genuine or she’s playing innocent to get what she wants is up to you. There is one scene I found rather funny. When Mira asks about Lyman, a fellow nobleman says that her ears are too delicate to hear such things. Keep in mind that, as a handmaiden, Mira cleans chamber pots, which are old-fashioned toilets. Yet she is far too delicate to hear of subjects such as sex, violence and drug addiction. That logic astounds me.
Last but not least is Asher’s plot, beginning with when you have to explain to Daenarys how you found her dragon.
I’ll admit that dealing with her can be rather intimidating. I’m just glad Joffrey or Viserys, Daenarys’s brother, never got dragons. It’s best not to think about it. Anyway, you have a hard time convincing her to lend you her sellswords until you agree to go on a stealth mission for her. You also get to find out about Beshka’s past and, let me tell you, the mission Daenarys sends you on is a conflict of interest. I won’t give too much away for fear of spoilers, but you do have to stop Beshka when she gets out of hand.
The game play is typical of a game made by Telltale, but executed quite well. You have to pick dialogue options for each character you play, as I said before.
You also get to experience quick time events and, let me tell you, they sneak up on you. My favorite part is when you get to go on a stealth mission for Daenarys as Asher. That, and beating up Gryff, but it was a little more personal on that one.
This is the one episode where the items you collect actually play a role. For instance, if you collected medical supplies when you were at the Maester’s in Episode 1, you can now use them to heal a fallen comrade. At the end of the episode, you can match up your choices with that of other players.
This game is addictive and intriguing. I give it 8 out of 10; fun but didn’t get a true emotional reaction out of me. Being upset over stupid decisions does not count.
After Ramsay Snow murders Ethan Forrester and hands their livelihood over to their rival house, The Whitehills, the family struggles to maintain their once great house. Fortunately, Rodrik returns to become the new Lord under dire circumstances. Meanwhile, Mira Forrester secretly plots to overthrow the Whitehills while working as Lady Margeary’s handmaiden in King’s Landing and Asher, the exiled Forrester, is on his way home from Meereen with an army of sellswords.
I should warn you; this is the second episode of a TellTales game, so spoilers are unavoidable. For instance, Rodrik supposedly died in Episode One and then came back in Episode Two, his death turning out to be an exaggeration. Personally, I felt that was a cop out that they centered so much drama around Lord Forrester and Rodrik’s deaths, forcing Ethan to be the new lord. Then they destroy all the drama surrounding it by revealing that Rodrik’s alive and he can take over as the New Lord. I’ll admit, I actually liked Ethan and his struggles with having responsibility thrust on him at a young age. This was why I wasn’t happy to see Ramsay kill him at the end. I think it would have been more dramatic to keep Ryon dead and see how the Forresters truly struggle.
Mira Forrester’s scenes are some of my favorites, partly because they include Tyrion, who’s my favorite character in the show, other than Daenarys.
Don’t get me wrong, I actually like Mira, her struggles and how you can make her a total badass, if you so choose. Though I think Tyrion might have been a little sloppy in his assistance. Let me put it this way, this is the same man who told Lady Stark that, if he were to plot an assassination, he wouldn’t hand the assassin a dagger that could be easily traced back to him. When Joffrey’s killers frame Tyrion for the murder, he points out that, if he were to murder Joffrey, he wouldn’t do so in a way that leaves him standing there holding the cup. Tyrion also had to see who Cersei’s spy was on the council, so he deliberately told each member of his plan to betroth Myrcella to a different ward. I think that, if Tyrion were to ally with Mira, he would do so in a way where his alliance would not expose her or himself. For one thing, he approaches Mira while she’s with Sera, the other handmaiden, and not asking to speak to Mira in private. Tyrion also failed to dismiss the Lannister guard before bringing Mira to the meeting.
Speaking of Sera she has a small part in this and it’s something I actually like. She is a bastard and, while we see many male bastards in the show and learn how hard life is for them, we never learn what it’s like for females. In the world of Game of Thrones, no matter how bad things get for men, women always have it worse. Therefore, you can bet that life would be worse for a woman bastard, something I wish the show would explore and, I hope the game will take the chance to. No matter how bad things get for men, they always have the Night’s Watch as an option. I’ll admit, it’s not a great one but it’s better than nothing. How would a woman bastard be able to cope in Westeros? In the case of Sera, she needs to secure a marriage to a man of high rank in order to establish her security.
Gared joined the Night’s Watch and he hasn’t fared well.
I don’t know what the popular opinion about The Wall is, but my mom absolutely hates it. She finds it dull with only a few matters of interest. Personally, I like The Wall but that’s because I’m in love with Jon Snow, who gets to make an appearance in this game and advises Gared in life as a member of the Night’s Watch.
So far, nothing really happens except that Gared gets into a few fights and has trouble getting along with many of the other recruits. Gared also talks to Jon Snow, the one redeeming feature about The Wall, about the Red Wedding. They even discuss why Gared wants to be a ranger.
We heard about Asher in Episode One, but we never really get to meet him until now. I’ll admit, I like Asher’s journey as well as his companion, Beshka. You can tell that they’re both good friends who’ve seen each other through the good and the bad and are trying to survive in a harsh climate.
They both made a living as sellswords and have quite a few enemies to deal with. I was happy when Malcolm comes to get them and tells Asher the plan to save House Forrester. I already said their plan is to hire an army of sellswords to take back House Forrester, but what will they hire them with? Sellswords cost money, which they don’t seem to have in abundance. Maybe they plan to pay them with Ironwood, which is their livelihood, but you only get to keep half of it if you managed to convince Ramsay that the Forresters are the better craftsmen. Even then, you give over another half as dowry to convince Elaena Glenmore to marry Rodrik.
I particularly loved how Episode Two ended. Talia sings at the funeral for Ethan and Lord Forrester and the former’s last words influence the lyrics in her song.
I found this particularly moving not only because of the beautiful song, but also because of the shift of scenes to the other Forresters and Gared dealing with the aftermath of their own decisions and their own struggles to save their family, even if they don’t live at Ironrath anymore. It’s enough to make you cry.
The game play is typical of TellTale games. You make dialogue decisions for each character you play and the game compares the more important ones to what the other players decided. I’m just going to say right now that your decisions don’t really matter. For instance, there’s one scene where you have to choose whether Rodrik kisses Lord Whitehill’s ring out of respect in order to let his younger brother, Ryon, the Whitehills’ hostage on Ramsay’s orders, attend the funeral for his father and brother or refuse and allow Rodrik to keep his dignity.
No matter what choice you make, the outcome is inevitably the same. So don’t kiss the ring and let Rodrik rule the house with his head held high. You can also explore scenes with the character you play and collect items for your inventory, even if that doesn’t really accomplish anything. There will be quick time events where you have to press the right button, so don’t drop your guard for even a second. The Wall also has a game play event where you can demonstrate Gared’s skills in strength, swords and crossbows. I’ll admit that I actually liked that part, even if shooting the crossbow is a little tricky due to the constant movement.
This game is intriguing yet doesn’t seem to explore its potential. I give it 6 out of 10, a bit of a letdown but maybe it will get better.
A woman seeks to recruit a group of refugees for her survival camp. Will she succeed or will their inability to trust others prove to be an obstacle she can’t overcome?
You’d think season 1 would have ended with the fifth episode but there’s a whole epilogue you need to play if you want the whole story. In this episode, you see another cast of characters whose lives were affected by the walkers. Each one has their own story to tell and you’re the one that decides how it plays out. What choices you make affects the storyline for season 2.
The game play is the same as the entire series with one exception. You select pictures on a bulletin board to decide which character’s story you want to play through first. After you’ve played every one of them, you take on the role of Tavia and use dialogue choices to recruit the characters.
This game is addictive and intriguing. I give it 7 out of 10; a worthy epilogue to The Walking Dead Game Season 1.